Friday, 1 March 2013
Wednesday, 13 February 2013
Magazine front cover & Film Poster 2nd draft
However, their are many essential aspects of the film poster which this draft lacks or doesn't have. Firstly, the general font and typography of the poster(excluding the credit blocks at the bottom) have the same kind of font. Additionally, there is a lot of dead space on the page, which doesn't make the poster really appealing. Furthermore, there is no release date on the page, so any onlooker whom were interested in the poster would not have any further information than the title. slogan and credit blocks. A particular grievance was the mask on the poster. This mask is iconic for being the mask of the protagonist in the 2005 thriller film V for Vendetta, so any association for the target audience would be with this film, not anyone from my poster. I need to particularly change the mask of the poster so my target audience won't associate with another film and demote any appeal to my trailer, magazine or poster.
My magazine front cover second draft was praised by my teacher for the overlapping effect of the masthead, as well as the blur effect of the blade in the main image- which supports the generic representation of a slasher horror genre. An issue that I need to build on is my font. Similarly to my poster draft, my font type was the same all over the page, and a generic magazine covers have at least two or three font types. Similarly, the main image of the masked figure holding a knife is blurred- which has a good effect on the knife motioned like it will cut the page- however the quality of the general image is decreased.
Monday, 28 January 2013
Film Screenplay
SHOT ONE
SHOT FOURTEEN
Long shot, tracking shot. Feyi walks into the school atrium
and exits to the staircase.
SHOT TWO
Mid Close up. Match cut.
Feyi enters first floor balcony, gradual zoom on his face as he catches
sight of Mo, Tanvir and Maisie.
SHOT THREE
Match cut, long take. Maisie, Tanvir and Mo see Feyi; close
up shot of their menacing looks at Feyi. Mohammed shouts ‘WHAT YOU LOOKING AT?’
Maisie, Tanvir and Mo laugh as Feyi walks past with his head down, walking
quickly past them scared. Tanvir laughs,
says ‘look at his face’
Fade to next shot
SHOT FOUR
Tracking shot. Feyi goes to his locker, cornered by Mohammed,
Maisie and Tanvir. Mohammed says ‘I asked you a QUESTION!’, pushes him against
the wall. Feyi stays silent. Maisie pushes Feyi, says ‘YOU’RE ASKING FOR A
BEATING!!!’ Tanvir motions to get
something out of his pocket. Close up, over the shoulder shot of Feyi asking,
‘IS THAT WHAT I THINK IT IS?’
SHOT FIVE
Over the shoulder shot.
Mo, Maisie and Tanvir surround Feyi in the corner. Sound of a crack.
Fade out
SHOT SIX
Low angle. Close up. Slow Pan of Feyi, Mo and Maisie faces
looking down at Feyi’s body.
SHOT SEVEN
Low angle tracking shot of Feyi’s lifeless body being
dragged away. Close up of Tanvir saying
‘NO ONE HAS TO KNOW.. .’
SHOT EIGHT
Over the shoulder shot.
Mo, Tanvir and Maisie later walking in the atrium.
Figure resembling Feyi in his hoodie watching them on the
first floor balcony.
SHOT NINE
Match cut, eye level. Maisie turns around; no one is on the
balcony. Tanvir asks, ‘what’s wrong?’
Mo says, ‘you’re seeing things…Feyi’s not there’
SHOT TEN
Maisie, Tanvir and Mo walking up the stairs. Hooded figure following them loosely. Close up
over the shoulder shot of Feyi walking up the stairs slowly.
Mo turns around;
shouts ‘WHO’S THERE? WHO MESSING ABOUT?!!!’
SHOT ELEVEN
Close up shot of Maisie Screaming. Tanvir and Mo, turn
around to see she’s not there.
SHOT TWELVE
Tanvir and Mo come out of the staircase; Tanvir sees Feyi
standing behind him in the mirror.
SHOT THIRTEEN
Match cut. No ones,
there when Tanvir turns around.
Over the shoulder shot of Tanvir walking quickly down, Shouts
‘MO, WHERE ARE YOU?’ someone is following him. Runs off into the staircase
SHOT FOURTEEN
Maisie, Tanvir and Mo meet in the Assembly Hall. Shouting
and yelling at each other ‘WHERE WERE YOU? I SAW SOMETHING! They all stop
talking when they hear someone enter. 360 full pan close up in a tight frame of their faces as they huddle together in a circle out of fear
SHOT FIFTEEN
Pan, mid long shot. Maisie, Mo and Tanvir looking around,
Maisie yells, Where are you?
SHOT SIXTEEN
Two Shot. Jump cut. Feyi behind Maisie touches her shoulder.
Screams, Mo and Tanvir shout. Screen goes black.
SHOT SEVENTEEN
Over the shoulder shot of Hooded figure (Feyi)
standing over bodies of Mo, Tanvir and Maisie. Gradual zoom in to his hood, he
turns around and the screen goes black.
Saturday, 19 January 2013
Photo Analysis - Magazine Front Cover
I took these photos, like the development of my Flat plan, to do a test run of what my movie poster may look like. The location, a school classroom.
This is a mid-close up shot type with natural lighting in the mise en scene. The natural lighting, coupled with the tight frame of the image makes it appealing for a horror poster as the protagonists looks isolated, and the dark focus cast from the hood jacket makes the protagonist look sinister.
In this photo, i wanted to see what the protagonist would look like from behind. Even though the fact that not seeing the protagonist face through the hood in this mid long shot can create fear from the viewers perspective, this doesn't create appeal generally as a horror poster.
This photo is much better as the natural lighting shows the outline of the protagonist's face under her hood jacket, not enough in the tight frame to stop the fear from her unidentified face, just enough to make the protagonist look illusory and menacing.
Additionally, this is space at the top for
This photo similarly has an appeal because of the head space for the title. The lighting is in much more excess then the other images. If there was a little dark focus in the mise en scene, it would make the image look more scary, appealing more to a target audience.
This final photo, although taken from a high angle to make the protagonist look more threatening, the fact that you can't see the character face at all makes the image look unattractive for a potential horror movie poster. The isolated, menacing effect of the tight frame is the only generic representation of horror in this image.
Overall, the mid close up images in a tight frame i have decided would be the most appealing to a target audience for the development of my horror movie poster. This is because the protagonist face is partially seen in good quality with the natural lighting of the picture. However, in my production stage i will be weary of the use of too much lighting in one image as a dark mise en scene is more conventional and attracts general appeal in a horror film poster. I will use a different hood jacket costume for the protagonist as the hood jacket in these series of image was quite constricting because of the fur lined top that prevents the audience from seeing her face at all, which whilst the unknown factor of her unidentified face may generate appeal for a horror poster, this is likely to not attract the mainstreamer psychographic appeal of my target audience.
Friday, 18 January 2013
Flat Plans: Film Poster and Magazine Front Cover
1st Draft Film Poster

1st Draft Magazine Front Cover

Although, the tight frame of the main image does, to some extent, keep up the feeling of isolation and looks a bit threatening by casting a shadow in the mise en scene.
2nd draft on Photoshop

Wednesday, 16 January 2013
Target Audience
The target audience of my film are predominately male, a typical generic representation of horror fans. My magazine is aimed at a niche horror fan audience, fitting the explorer psychographic as my trailer, which merges with the similar target audience of social realist genre of bullying and anti-social behaviour which i will be exploring in my horror trailer. My target audience for my trailer and poster will be specifically 16+ because the classification of my trailer will be 15. More so, the demographic group that is my primary target audience is Group E, students and /or the unemployment. I will be careful in the production stage of my magazine and my trailer especially not to portray my particular target audience group negatively in order to make the magazine more appealing to my target audience.
Additionally, unlike conventional horror films which target a particular cultural group I would aim to have a culturally diverse target audience.
Classification Certification of Trailer
15 YEARS OR OLDER(preferably 16-18+) Moderate generic representation of violence and drugs of an explicit nature, not to the extent where drug use and violence is generically represented in glamour.
Horror Poster Analysis: Codes and Conventions
The Horror genre typically has:
Primary target audience – male, 16-24, This is because statistically, adolescent males happen to be the mainstreamer psychographic of audience appeal when it comes to the violence and gore explored in generic horror films in comparison to an older audience demographic or woman.
15 or 18 Certification – debates on passive consumption as content in horror film can often have purposely explicit content which arguably is considered too controversial for anyone to watch anyway, whether it be a middle-aged couple watching various horror film in an Alfred Hitchcock movie marathon whom are in the resigned psychographic, or a 17 year old girl watching a horror movie on television in the Group E student/unemployed demographic.
Extensive use of Narrative enigmas - Examples a conventional enigmatic feature in horror film is the antagonist is not viewed largely, and if he/she is, their face is not shown in excess or even at all. Prime examples are the antagonists Leatherface and Jason Voorhees from the Texas Chainsaw Massacre and the Friday the 13th series.
Slow pace of Editing, builds tension. Long takes - this gradually build the climate of fear or abnormal occurances that may affect the equilibrium of the narrative diegesis.
Split into sub genres (see below), often hybridised into fused genres like the comedy horror genre in The Scary Movie series, which is a parody(imitation of art, literature, film or other media for comical effect) in itself based on the Scream series, which is another parodical horror film uses exploits the generic storylines and archetypal characters in conventional horror films. Another example is psychological horror thrillers like the Hannibal series, or else science-fiction horror like The Thing(1982+2011) or 1998 film The Faculty(analysis viewed below)
I have decided as part of my trailer to explore aspects of crime drama with my horror trailer as I wanted to explore the theme of extreme antisocial behaviour in my trailer, outlining realistic themes that have been explored in previous year in the history of cinematic horror through films such as Carrie(1973+2013), Tormented(2009).
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